UK

Emerging artists and those out of the limelight become popular as buyers look for new names

Some people like to call their antiques businesses by names that are personal to them and which have a strong family connection, such as Noble Salvages in Swadlincote and Peggy McCools in Warrington.

Although Roamer fell victim to the ‘quartz crisis’ – the introduction of quartz watches in the 1970s and early 1980s that largely replaced mechanical watches – in the 1950s-60s the firm enjoyed a good reputation as the maker of good-quality, affordable automatic mechanical watches.

The Omega Seamaster 300, launched in 1957 simultaneously with the Railmaster and the Speedmaster, appears in numerous variations.

This early medieval gold cross was discovered by a metal detectorist in a field in Sutton St Edmund, Lincolnshire, in April 2019. After two years, going through the Treasure process, the cross was returned to the finder, who is selling it at Dix Noonan Webb on March 15.

The Select Jewellery & Watches sale at Lyon & Turnbull (25/20% buyer’s premium) on March 30 includes a number of pieces by the coterie of artist-craftsmen who led a revival of British jewellery making in the 1960s-70s. Like so much of post-war decorative arts, they have roared back into fashion.

Among the highlights at this month’s Connect Art Fair is an untitled c.1968/71 gouache on paper by British-Guyanese artist Aubrey Williams, offered for £4500 by Middlemarch Art.

Described by one visitor as “a cocktail of the senses when you step inside,” the Brothership Studio in Hertford offers the work of seven artists plus guests across two studios and galleries in the town.

The jewellery department at Woolley & Wallis has built up something of a reputation for selling cameos and intaglios.

Ecclesiastical commissions are integral to the Mouseman story – it was the friendship between Father Paul Neville and Robert Thompson that led to the work at Ampleforth College – but in commercial terms these can be relatively difficult pieces.

Among the most traditional of antiques, the William and Mary oyster veneered walnut chest of drawers remains a welcome visitor to the saleroom.

A sale of royal memorabilia at Colchester saleroom Reeman Dansie (20% buyer’s premium) on February 15 included items from the estate of Miss Beryl Poignand (1887-1965), governess and confidante to HM Queen Elizabeth, The Queen Mother.

A white agate intaglio carrying the name of a giant of Georgian gem engraving surfaced at Bellmans (22% buyer’s premium) in Wisborough Green, West Sussex, on February 22-24.

An intricately drawn self-portrait in pen and ink in which the artist likens himself to Albrecht Dürer is at the heart of a new show on Alberto Martini.

Society announces Carmarthen event dates and stall and entry prices to be held at 2019 level.

“It is with sincere uplifted spirits that I can confirm without any doubt that the Benson Antiques Fair will take place on Sunday, March 20.”

The unexpected highlight of the Sworders (25% buyer’s premium) Out of the Ordinary sale on February 15 was this plaster version of the Jean-Jacques Feuchère (1807-52) sculpture Mephistopheles.

From the early 1930s, the London potter Phyllis Keyes (1881-1968), with a studio in Warren Street and later in Clipstone Street, supplied Vanessa Bell, Duncan Grant and other members of the Bloomsbury Group with earthenware teawares, jugs and vases for decoration.

The Art by Four Women exhibition held at the Walker Gallery, London, in 1935 was something of a break-through event for Birmingham-trained goldsmith Dorrie Nossiter (1893-1977).

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.