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Textiles department moves from Salisbury to Netherhampton

23 March 2004

Right: this 17th century stumpwork jewellery casket will be the highlight of the first sale of antique rugs and textiles at the Netherhampton Salerooms. The auction will be put together by the team responsible for the regular specialist sales at Woolley & Wallis – the only sales of their type outside London – that ended in February.

Binding for Columbus

23 March 2004

JUST two of the 600 or so lots that made up a March 2 sale of books and prints held by John Nicholson of Fernhurst, Surrey, managed four figure bids – a binding and a postcard album.

Why 19th century wares are more sought after now

23 March 2004

THE large number of increasingly wealthy mainland Chinese dealers and collectors participating in UK auctions are pushing up the prices in certain sectors of the market, including 19th century Chinese-taste ceramics. In the past this area has largely been overlooked in favour of imperial porcelain from earlier periods, but with the best 18th century mark and period routinely commanding six-figure sums, 19th century ceramics must look good value for money.

A Stuart allegory translated at £9000

23 March 2004

Lyon & Turnbull’s 110-lot private collection did not just comprise Scottish silver, but also silver of Scottish interest. Among the more idiosyncratic elements in the catalogue was this allegorical Jacobite snuffbox, right.

Half of sale gets away from trade as new buyers show confidence

23 March 2004

ARE there any corners of Britain where the trade can enjoy an old-fashioned auction without the intrusion of confident private buyers? If so, Abergavenny is no longer one of them.

Tables top solid demand for standards

23 March 2004

THE final 130 or so offerings in Abbotts (10% buyer's premium) 675-lot Suffolk sale on March 10 showed that good examples of standard late Georgian and Victorian furniture can still find buyers if the price is right.

The fall and rise of a tragic young man

23 March 2004

ALTHOUGH Derwent Lees (1885-1931) is recorded in reference books, such as the Handbook of Modern British Painting and Print-making 1900-1990, published by Ashgate, he is not that well known outside specialist trade circles.

Wynkyn de Worde’s indulgence and Thomas Bewick’s extra illustrations ...

23 March 2004

THE rarest and probably the earliest piece of printing in a February 26 sale held by Pacific Book Auctions of San Francisco, the papal indulgence from Wynkyn de Worde’s press seen right, was bid to $13,000 (£6890), but there were some other early items in the collection of editions of Aesop’s Fables formed by the late Dr Margaret Rose Quentin that opened the auction.

TRIBAL ART SALES IN FRANCE

23 March 2004

THE 330-lot tribal art sale at Blanchet & Associés (17.94% buyer’s premium) back on January 30 featured 173 pre-Columbian pieces. These achieved a 70 per cent take-up, with a top price of €14,500 (£10,000) for a polished stone ritual Hacha from Guatemala, right, 9 1/2 x 7 1/2in (24 x 19.5cm), whose relief decoration took the form of the profiled face of a dead man, topped by the giant, curved fang of the sacred serpent.

Troika revival complements oak sale

23 March 2004

HELPED by both the input of new collectors and the appearance on the market of some good pieces, Troika pottery certainly experienced renewed interest in 2003.

Bonhams review auction charges: Premium changes shift burden off seller and on to buyer

23 March 2004

From April 1 Bonhams will increase the buyer’s premium in their Knightsbridge rooms to bring it in line with that charged at Bond Street.

Anglo-Dutch battle across board for India won at £13,500

23 March 2004

IF the performance of the 52-lot clock section of Bristol Auction Rooms (15% buyer's premium) March 2 sale was anything to go by, this firm’s reputation for selling timepieces is gathering pace.

The problem of identifying bonafide Boningtons…

23 March 2004

Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).

New House Record for Peter Francis

16 March 2004

Setting a new house record at Carmarthen auctioneers Peter Francis on March 9 was this 18th century Coromandel Coast marquetry inlaid padouk, ebony and ivory chest of five short and two long drawers.

Who’s been sleeping in this Hollywood fantasy bed?

16 March 2004

THE first day of a Belle Epoque sale held by Doyle of New York on February 25-26 awoke what one might, with greater reason than most, term a sleeper – the remarkable piece of furniture, catalogued as “An Italian Baroque style Mahogany Bed”, seen right. The bed was part of the Woodruff collection, comprising stock from a former Hollywood business that from 1922-60 was a popular rental source for the film studios, but stock that for the past 40 or more years has been in storage in Oklahoma.

Sisterly seamstress sentiments help to sell samplers

16 March 2004

IN addition to technical excellence, decorative appeal and early date, sentiment is an important player in the sampler market.

Sporting highlights serve up a real ace

16 March 2004

BOUND volumes of Manchester United home match programmes from the 1950s seasons were the best sellers in the football section of a sporting memorabilia sale held by Bonhams Chester on January 28, with prices ranging from £520 to £1300 for the volume covering the 1957-58 season that brought the devastating Munich air disaster.

Plates going back to Italy

16 March 2004

The highlight of the sale conducted by Bourne End Auction Rooms (12% buyer’s premium) near Marlow, Buckinghamshire, on March 4 was this pair of tin-glazed earthenware plates, right, made c.1740 by Saverio Grue at the Castelli factory in Naples.

When Newlyn is still a prize catch...

16 March 2004

WITH collectors’ taste in Modern British art shifting in recent years from pre-war to post-war, the once all-conquering Newlyn School has not generated as many headline-stealing results as it did in the late 1980s.

Struck and striking…

16 March 2004

“COINS transmit the image of a ruler far more widely than any other medium available before photography.” Thus the blurb trumpeting the exhibition in the British Museum of portraits on coins.

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