Auctioneers

Working in St Martin’s Lane, London, from 1680 until his death in c.1705, the Flemish-born cabinetmaker Gerrit Jensen is often associated with marquetry furniture from the William and Mary period.

This George II Palladian giltwood looking glass sold for £17,000 (estimate £2000-3000) at Lawrences (25% buyer’s premium) in Crewkerne on June 17.

Robert Sterling Brunk passed away on Thursday, June 11, 2026, at age 84.

Two medieval illuminated manuscripts identified as being late 19th century or early 20th century fakes attributed to The Spanish Forger are being sold in Dorset on June 25 estimated at £500-1000.

A triple-faced owl vase by the Zsolnay factory hammered for $9000 (£6610) at Thomaston Place Auction Galleries (25% buyer’s premium).

The annual trials of watches that took place first in Greenwich and later at the Royal Observatory in Kew and the National Physical Laboratory in Teddington were an opportunity for the Admiralty to choose suitable timekeepers and for manufacturers to obtain an independent assessment of their merchandise.

Rare atlases from the 17th to 19th centuries provided the top-sellers as an extensive library collection emerged from the estate of a descendant of one of Britain’s longest-serving Chancellors of the Exchequer.

London books, prints and wine specialist Forum Auctions was founded in July 2016 with the ambition of combining the best of the digital and the analogue worlds. A decade later, with all but one of the original team still on board, the company is preparing for two special anniversary sales. Founder and executive chairman Stephan Ludwig shares his views with ATG.

An early work by Mary Jane Peale (1827-1902), a member of the famed family of American artists, hammered for $275,000 (£204,000) against a guide of $5000-8000 at Doyle (27% buyer’s premium).

Even though, as a rule, big-name wristwatches still attract the highest prices, recent sales show a resilient market for pocket watches.

The art produced by the British wartime prime minister was sniffed at and snubbed by critics for many years while being welcomed by dealers and auctioneers. But a new exhibition at The Wallace Collection underlines how his paintings are gradually gaining a serious status