Auctioneers

A CLUTCH of strong horological results for rare pieces by good makers or with technical innovations were seen in late March at Sotheby’s Bond Street (20/12% buyer’s premium).

THERE was an encouraging take-up for Victorian and Georgian furniture in Byrne's (15% buyer's premium) 623-lot March 10 outing, with buyers found for the more standard fare as well as for the better lots. “We had more than our fair share of Victorian mahogany triple wardrobes but most sold to a mixture of private buyers and the trade,” said Byrne’s specialist Adrian Byrne.

OSCAR Pierre Erard is one of the many shadowy figures who occupy the record books of the 19th century glass industry in Stourbridge.

It is not unusual for an auctioneer to receive enquiries from members of the public who have seen items ‘identical’ to theirs in a newspaper, a magazine or on television. In reality the Queen Anne walnut chest turns out to be a 1920s reproduction worth £100 – but, yes, they do look almost identical.

LONDON’S art world leaders have come up with an initiative for extending the peak selling period that is London in June.

ON Radio Four’s Desert Island Discs of April 28 the castaway was painter Jack Vettriano (b. 1954). When asked by presenter Sue Lawley how much he thought his celebrated oil, The Singing Butler, would sell for at Sotheby’s on April 19, Vettriano’s response was that it would exceed the top estimate of £200,000.

With the Chinese economy expanding at an unprecedented rate, and Chinese tourists becoming increasingly numerous in Europe, China Trade paintings are an area of the art market that might prove a cannier investment than most.

QUALITY, rarity, condition, provenance and fashion all have a bearing on auction prices, but perhaps the most difficult criterion for any specialist to value is the appeal of an object’s quirkiness.

OF the 830 lots offered in Fieldings (12.5% buyer's premium) February 28 sale, a painting provided the highest price but a chair the biggest surprise.

THE gulf in value between fully authenticated pictures and those with mere attributions was clearly in evidence on March 4 when this 18th century Irish School landscape, right, came up for sale at the Amersham Auction Rooms in Buckinghamshire.

THE new money-laundering laws appear inadvertently to have created a problem for the coin trade.

JEAN-BAPTISTE de Proyart, vice president of Sotheby’s France, is to leave the company this summer to work as an independent art advisor in books and manuscripts, based in Paris. He joined Sotheby’s in 1993 and, as head of books and manuscripts in France, organised several sales since the firm were allowed to sell in Paris in 2001.

A HIGH Court judge has retired to consider his ruling in a case that could revolutionise the terms under which auctioneers do business.

THIS weekend (April 17-18) Northumberland auctioneer Jim Railton will sell the residual contents of the late Dowager Countess of Tankerville’s estate house in Chillingham, pictured right.

The Death of Munrow, depicting the attack by a tiger on a certain Mr Munroe in 1793 when he was out on a hunting party on Saugar Island in West Bengal, is one of the most dramatic and celebrated subjects to be recorded in Staffordshire earthenware. As a result it usually commands a high price when it comes up for sale at auction but few could have predicted the $130,000 (£74,285) (plus buyer’s premium) realised for the example that appeared at Sotheby’s New York last week.

ONE of the hottest Modern British names in the last few years, has been Winifrid Nicholson (1893-1981), whose half-length portrait of her husband Ben Nicholson made a record £100,000 at Lawrence’s, Crewkerne in January 2002.

WITH sales of standard furniture chugging along – but at least finding buyers – Gildings (12.5% buyer's premium) of Market Harborough, in common with many in the provinces, looked to ceramics and clocks to provide the day’s highlights at their March 16 sale.

With a dozen works by the artist currently on show at Tate Britain’s Pre-Raphaelite exhibition, Sussex auctioneers John Nicholson (15% buyer’s premium) could hardly have picked a better time to offer a watercolour by George Price Boyce (1826-97) than at their March 17 sale in Fernhurst.

From the standpoint of manufacturing history, dispersals of any factory collection are always tinged with sadness.

NOT all the market resides in a state of stagnation.