Impressionist and Modern Art

A large desert Caravane by Victor Huguet (c.1895), 4ft 4in x 6ft 8in (1.31 x 2.02m) and inspired by Fromentin, led the Delorme-Fraysse picture sale on February 12 with €82,000 (£51,200).

Against the background of the London Impressionist, Modern and Contemporary sales both the major auction players held specialist Surrealist evening sales – Christie’s (17.5/10% buyer’s premium) on February 4 and Sotheby’s (20/15/10% buyer’s premium) on the following evening of February 5.

The London art market received a major lift in the salerooms last week when Sotheby’s and Christie’s attracted remarkably strong levels of international demand for their February round of Impressionist, Modern and Contemporary auctions.

GERMANY: Joseph Beuys’ Sonnenkreuz (1947-48), a patinated bronze sculpture 15 x 81/4in (37 x 21cm), evoking a crucifix against a radiating sun, sold comfortably over estimate for DM200,000 (£64,000) at the Lempertz Contemporary Art sale in Cologne on December 5.

PARIS: A prestige series of auctions held by Tajan at the Hôtel George V just before Christmas (December 17-19) yielded just under £7m hammer.

“Fascism, charged with Idealistic values, is applauded by all of those who are legitimately able to call themselves Italian poets, novelists and painters. We are sure that in Mussolini we have the Man who will know how to value correctly the force of our Art dominating the world.”

PARIS: American buyers were to the forefront at the ArtCurial-Briest sales on December 17 and 18, held in the stylish Hôtel Dassault halfway down the Champs-Elysées, and preceded by an elegantly hung four-day viewing.

USA: Mixed signals emerged from New York’s crucial November round of Part I Impressionist and Modern sales, the most significant test of the international art market since September 11.

The London art market breathed a general sigh of relief last week after Sotheby’s and Christie’s Part I Impressionist and Modern sales belied the atmosphere of economic uncertainty with a clutch of high prices for classic works by the major names of late 19th and early 20th century art.

US: REVERED as the only Irish artist to have been fully involved in the developments of French avant garde painting during the early years of Modernism, Roderic O’Conor (1860-1940) has inspired a succession of impressive six-figure prices over the last couple of years, culminating in the £320,000 bid by a Dublin collector for a c.1903 Post-Impressionist oil, Nature Mort: Faience, at Sotheby’s June 21 sale of Modern British & Irish Art in London.

USA: Fears that the recent slowdown in the US economy would drastically affect the top end of the art market were to some extent realised at New York’s Impressionist and Modern sales last week.

UK: LEVELS of demand at Bonhams & Brooks’ (15/10 per cent buyer’s premium) March 22 sale of Modern and Contemporary British and Continental Art were less impressive than the Phillips event of March 20.

UK: Last week London saw Sotheby’s and Christie’s first ever round of major Impressionist, Modern and Contemporary sales in February.

UK: THIS looks the life! Relaxed in elegant company, high above the world and its cares on a sunlit terrace with parasols and palms.

PICASSO’S Blue Period canvas Femme aux bras croisés set a world record for the artist at auction on November 8.

FRANCE: A Paris court has granted a temporary injunction placing a Cézanne painting currently on show at a city museum under legal supervision pending an inquiry into its ownership.

LONDON: Highlight of the German and Austrian series from the Marvin & Janet Fishman Collection was Egon Schiele’s oil on canvas Portrait of the Art Dealer Guido Arnot, 4ft 7in x 3ft 7in (1.40 x 1.09m), signed and dated 1918 which sold at Sotheby’s in London for £6.5m (plus premium), more than twice its top estimate.

The market for 20th century German art proved dramatically selective last week when the much-promoted Marvin & Janet Fishman Collection came under the hammer at Sotheby’s on the evening of October 18.

SOTHEBY’S have announced that they are to move the Impressionist, Modern and Contemporary Art sales they usually hold in December to February.