1 What’s something that sets you apart in your field?
Unlike many of my peers, I have never really been tempted to deal in oil paintings. I am quite happy with exploring the huge variety of creative expression found in five centuries of draughtsmanship.
2 What’s a little-known fact about your field – or dealing in general?
The fact that a great drawing may be the work of a lesser-known, or sometimes almost unheard-of artist. In each of my catalogues, I usually try to include superb examples of fine draughtsmanship by completely unfamiliar artists.
To me, a great drawing is a great drawing, no matter who drew it.
3 What is exciting about the market this year?
As the new chairman of London Art Week (LAW), I am particularly excited about this summer’s edition of the event, which includes more galleries than ever before, and promises to be the best ever.
At this event I will be exhibiting a large and comprehensive group of drawings by the extraordinary 19th century draughtsman Adolph Menzel. This will be the first show of his work to be held in Britain since 1984.
4 One object you couldn’t without?
A small magnifying glass (more of a loupe, really) for looking very closely at drawings, and my laptop, which has more than 20 years of notes on all my drawings on it.
5 Real ale or espresso martini?
Cappuccino and a doughnut, preferably in Tuscany. Breakfast of champions!
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