Watercolour painting

A cache of William Blake watercolours, unearthed in a Glasgow bookshop five years ago, are to be sold in New York after attempts to keep them together in the United Kingdom have failed.

The rainbow plate seen above right comes from an 1814 first issue* of David Cox’s Treatise on landscape Painting and Effect in Watercolours, an oblong folio work that incorporates a hand-coloured aquatint frontispiece and 31 plates (15 coloured, 15 in sepia) as well as 24 soft ground etchings.

In November 1933, the Queen Mother (then Duchess of York) wrote to Charles Edmund Brock (1870-1938), a noted illustrator and society painter, commissioning a family portrait.

INCLUDED in Potburys’ (12.5% buyer’s premium) sale in Sidmouth, Devon on February 8 and 9 was a 75-lot collection of pictures by the Orientalist painter Charles Robertson (1844-91) consigned from his granddaughter’s estate. They appear to have been the works that remained in the family after the artist’s Godalming studio was sold off following his death from a heart attack aged 47.

Executed in the 1890s, when Beatrix Potter was working for the greetings card firm Hildesheimer, this little ink and watercolour drawing was last seen at auction in London about ten year ago, but on December 1 it came back to Christie’s South Kensington and sold for £25,000.

“Business has been good, but to achieve this I have had to work extremely hard.” This is how Chris Beetles summed up 2004 and, having already taken over £500,000 in sales from his renowned annual exhibition of British illustrators, he is ending the year on a bullish note.

THE Mira Jacob Collection sale at Bailly-Pommery-Voutier & Sotheby's (23.92 - 14.35% buyer's premium) included a smattering of drawings and watercolours by artists outside the dealer’s sphere of influence – from a small Picasso ink sketch of a Glass and Jar, bought in at €44,000, to a Degas pencil portrait of Thérèse Degas, 11 x 8 1/2in (28 x 22cm), which sold at a quadruple-estimate €77,000 (£52,400).

THIS year marks the 200th birthday of the Royal Watercolour Society and many past members, such as William Callow (1812-1908), have been masters in portraying the detail and differing surface textures of building.

BACK in London, Chris Beetles of Ryder Street in St James’s has just opened his amusing annual show of cat pictures, which, as always, features an important group of works by the world’s most famous exponent of the genre, Louis Wain (1860-1939).

DESPITE having success in his day, it seems a major oversight that marine artist Neville Sotheby Pitcher (1889-1959) does not make it into the specialist reference books such as E.H.H. Archibald’s The Dictionary of Sea Painters.

The Parrot Pen-man, an ink and watercolour drawing by Quentin Blake that sold for £1200, was among 40 lots offered at Sotheby’s on July 8 on behalf of the Arvon Foundation, a literary charity that provides residential creative writing courses.

A Christie’s New York sale of June 9 included a collection of Dr Seuss books, illustrated letters and other ephemera formed by Jed Mattes, who in 1977, following the death of Theodor Geisel’s long-term agent Phyllis Jackson, took over as his representative.

IN the eyes of many of today’s collectors, it is the realist interiors, which range from old farm buildings to grand rooms, and the figure subjects of William Henry Hunt (1790-1864), which are most desirable, a fact highlighted by the artist’s sale results.

THE problem with over-ambitious estimates does not just apply to the sort of significant paintings which consignors may be led to believe are worth sums in the £100,000-£1m range.

THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.

BACK in July 1984, Christie’s took £75,000 (£81,000 with premium) for Thomas Rowlandson’s (1756-1827) pièce de résistance watercolour of Box-lobby loungers.

WAS it a case of not being market-fresh or a change in fashion that resulted in such a dramatic nose-dive in value for this black chalk, stump and watercolour, right, by Thomas Gainsborough (1727-1788), when it came up at Christie’s King Street on June 3? Against hopes of £40,000-60,000 it scraped home with a final bid of £35,000 (£41,825 with premium) from a private collector.

ON July 15, Bonhams will present a double-catalogue sale of 500 lots of natural history books and watercolours from a single collection and one of the highlights will be a very special copy of Audebert & Viellot’s Oiseaux dorés ou a reflets metalliques... of 1800-02.

OVER a period of 30 years, the late Sir Charles Clarke of Broadhurst Manor in Sussex built up a remarkable collection of engravings, drawings and other material by Edouard Travies. He came to be recognised as the leading authority on the artist and his collection of Travies lithographs of La Chasse and other similar suites of plates is perhaps the finest ever to have come onto the market.

OVER the last couple of years, a number of auctioneers have been complaining that lesser-name Victorian watercolours in the sub-£500 range have become the weakest of all areas at picture sales, sometimes to the point of having no market at all.