NOW a permanent fixture on the capital’s art scene, the seventh annual Art on Paper Fair will be held from February 3 to 6 at the Royal College of Art, Kensington Gore, London SW7. It will be opened at noon on the 3rd by one of last year’s more colourful characters, Spectator editor, and lapsed Tory shadow spokesman for the Arts, Boris Johnson.
Produced by Gay Hutson and Angela Wynn, the team who for 18
years have also brought us the 20/21 British Art Fair, the Paper
show has proved, perhaps, a somewhat unlikely success. The
organisers' own British art fair was well established and there has
long been a dedicated watercolours and drawings fair in the West
However, the event took off and became a favourite of many, not
just because of the huge variety of stock on offer, but also
because so much of it was affordable. Not as upmarket and focused
as the other watercolours fair, Art on Paper does pull in new
buyers. And with prices starting at around £50, with much under
£300, it is a place where almost everyone can shop.
Watercolours are, of course, a strong feature of Art on Paper but
not overwhelmingly so. Old Master drawings, original prints,
photography and sculpture (allowed to provide a respite from the
two-dimensional art) of diverse styles and periods will also be
offered by some 50 dealers from the UK, France, Italy and
Traditional 19th century watercolours contrast with lithographs by
the likes of Jeff Koons and Warhol and a large selection of
screenprints by that West Country national treasure Beryl Cook,
whose work will appear on the stand of London's Portal
Expect plenty of Modern British by William Roberts, Paul Nash,
Terry Frost, John Piper and others, and more up-to-date British
works by Damien Hirst and pop artist Allen Jones.
Last year, Caroline Blunden from Battersea introduced a new
dimension with contemporary Chinese art and this year Fulham's
Hanga Ten brings 19th and 20th century Japanese drawings, prints
and woodcuts from some of Japan's leading artists.
There may be much readily affordable, but there are also works
costing many thousands.
Everything is strictly vetted under the eye of chairman Anthony
Lester, who says: "I feel very strongly that buyers should be able
to purchase in complete confidence. Accurate labelling is
particularly important in the case of prints, where factors such as
edition numbers and whether first or later printings, can have a
significant effect on value."
This year, like last, The Art on Paper Fair runs head-to-head with
the Watercolours and Drawings Fair, which moves from the Park Lane
Hotel to the Royal Academy, Burlington Gardens.
I will preview the watercolours fair next week and, although both
organisers tend to say their events are complementary rather than
in competition, I bet they wish they were farther apart.
Admission to The Art on Paper Fair is £5.
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