THE rare and unusual mid-18th century mahogany Windsor chair pictured on the front page of Antiques Trade Gazette No 1643, June 12, was not the only enigmatic armchair in Mallams' (15% buyer's premium) April 22 sale. The supporting cast to that £23,000 chair – an unusual hybrid combining the features of the English country chair with the timber and the modeling of urban cabinetmaking – included a Egyptian Revival walnut tub chair.
With its Greek key hoop rail, griffin-head supports and
lion-paw feet, it had obvious links with Thomas Hope, although
auctioneer Ben Lloyd was happy with his catalogue description
suggesting this was a creation of the Arts and Crafts period rather
than the early 19th century.
However, the Cotswolds dealer who tendered the winning £3400 - way
above the very modest £200-300 estimate - was of a different
opinion.
The Cotswolds trade also bought a George III Chippendale style
mahogany urn or kettle stand with open fretwork to the gallery, the
angle brackets and the stretcher and blind fret to the four square
section legs.
Although prices for lesser examples of the form have suffered as
their use has become obsolete, this was one for the purist market
and it made £3700.
Just three lots into the sale was a very fine Suzani that had been
bought by the mother of the vendor at a house sale at Serlby House,
the South Yorkshire seat of Lord Galway in 1942.
There are around a dozen major types - Suzani simply comes from
the Persian word for needle - but, at a guess, this wall hanging,
with its multitude of small rosettes and medallions, was made in
the Bukhara area of Uzbekistan sometime during the first half of
the 19th century.
The incredible array of the various colourful floral and foliate
elements made this panel, measuring 7ft 3in by 5ft 2in (2.21 x
1.57m), particularly attractive to the specialist trade to whom it
sold at £4300 (estimate £1500-2500).
A blue john urn of shallow campana form, 5 1/4in (14cm) high,
raised on a square marble plinth had some restoration, but sold at
£1850 (estimate £400-600) while there was competition to £2200
(estimate £500-700) for an 18th century French celestial globe by
Fortin, Paris dated 1770 raised on an ebonised pearwood stand, 15in
(38cm) high.
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