Art Market

Fieldings’ picture consultant William Lacey said he could remember a time 30 years ago when works by Wigan artist James Lawrence Isherwood (1917-89) could be bought for £30-40.

Victorian landscapes can often be difficult to shift at auction, but a fine panoramic view near Redhill in Surrey by Edward John Cobbett (1815-99) gave a boost to the Boningtons (20% buyer’s premium) sale in Epping on August 21.

Working horses painted by the Australian artist Harold Power (1878-1951) starred at Charles Ross Fine Art (17.5% buyer’s premium) on August 19 in Woburn, Bedfordshire.

Two slightly different versions of Fortunino Matania’s (1881-1963) desirable Southport Lido poster topped a July 7 online auction at Onslows (20% buyer’s premium) of Dorset.

Views created by vessel’s captain envisaged a kinder end to its career than a tragic collision...

A raft of contemporary and post-war art featured in the busy August schedule in Scotland. Such art remains a picky and tempestuous market north of the border. The latest results were scattered with a mix of bullish and more subdued results.

Fine examples of John Sell Cotman’s (1782-1842) draftsmanship appeared at separate auctions in the south of England.

A large oil painting offered at auction for first time depicts notorious figure from Charles II’s court and sells for five times top estimate.

A 19th century painting depicting the death of Horatio Nelson soared to £21,500 at Lawrences (22% buyer’s premium) of Crewkerne on July 14.

Naïve-style paintings of livestock remain one of the liveliest sectors of the 19th century pictures market, judging by the response to several examples offered in Gloucestershire.

Little-known but well-connected artist proves a hit as his widow sells 40 works in Penzance.

As well as the Richard Platt consignment, David Lay offered more than 100 lots of modern art by a local Cornish family.

Southern softness and northern grit were both on display at Tennants (20% buyer’s premium) of Leyburn on July 15.

Found among the contents of a storage unit, a watercolour of Venice by Edward Lear (1812-88) starred in Brighton General Auctions’ (15% buyer’s premium) sale on July 28.

More than 100 Russian paintings consigned from a single source went under the hammer at Moore Allen & Innocent’s (18% buyer’s premium) July 7 sale in Cirencester.

Works by the Pre-Raphaelites and their followers continued to outperform the rest of the Victorian art market during the latest round of sales in London.

More 19th century art was offered in London when over 120 lots of European and Orientalist pictures went under the hammer at Christie’s.

Dreamy landscapes, fairies and classical female nudes fill many of today’s best-known canvases by the Victorian artist Edward Robert Hughes (1851-1914). But it was his skills as a portraitist that impressed critics most while he lived.

Possibly the largest quantity of watercolours by the Second World War artist Thomas Hennell (1903-45) to come to auction in one sitting was on offer at Mallams (20% buyer’s premium) on July 5

This work above by the popular cartoonist Max Beerbohm (1872-1956) was a highlight of Mallams’ library sale on June 21.