London

YOU don’t see detailed architectural scenes that often on English porcelain. Such pieces are much more the preserve of Continental factories like Meissen, Sèvres or, most notably, Berlin. Their smooth, hard paste provides a better ground for the highly detailed, crisp painting these subjects demand. However, if topography is to be found on English porcelain, it is most likely be encountered on wares from the Derby factory which came nearest to emulating the Continental firms.

The well-worn cliché about everyone in the trade wanting to buy the same few pictures was certainly in evidence at the March 9 sale of British and Continental pictures at Bonhams (17.5/10% buyer’s premium) at Knightsbridge when this highly commercial oil-on-canvas view of the Piazzatta, Venice, indistinctly signed Viviani, came under the hammer with a highly tempting estimate of £2000-3000.

IT could have come straight out of one of the author’s own stories – a lost archive of unique material valued at two million pounds uncovered in the offices of a London law firm after being missing for decades.

ORGANISERS Brian and Anna Haughton have cancelled this summer’s London Asian Art Fair citing trade uncertainties over The Dealing in Cultural Objects (Offences) Act as the reason.

POLICE are warning that a thief, fitting the description of a woman who stole from London antiques shops in January, has struck again.

FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.

Bonham’s had no difficulty dispersing the first instalment of the mammoth collection of Worcester porcelain formed by Milton and Jeanne Zorensky, offered in their New Bond Street rooms on March 16. Just five of the 416 lots were left unsold and even these had all found buyers by the end of the day.

FOUNDED in 1876, The Fine Art Society at 148 New Bond Street is one of London’s oldest and most innovative galleries and it has chosen a fascinating theme for its next exhibition, which opens on March 23 when the gallery gets back to business after two months renovation.

THE large number of increasingly wealthy mainland Chinese dealers and collectors participating in UK auctions are pushing up the prices in certain sectors of the market, including 19th century Chinese-taste ceramics. In the past this area has largely been overlooked in favour of imperial porcelain from earlier periods, but with the best 18th century mark and period routinely commanding six-figure sums, 19th century ceramics must look good value for money.

ALTHOUGH Derwent Lees (1885-1931) is recorded in reference books, such as the Handbook of Modern British Painting and Print-making 1900-1990, published by Ashgate, he is not that well known outside specialist trade circles.

LAST September, businessman and glass enthusiast Nicholas Lyne sold his stake in Berkshire auctioneers Law Fine Art to his partner and co-founder Mark Law and teamed up with Sussex ceramics dealer Brad Dover of Jupiter Antiques to launch the Kensington Ceramics & Glass Fair, the first of which was held at the Kensington Close Hotel on February 26 and 27.

From April 1 Bonhams will increase the buyer’s premium in their Knightsbridge rooms to bring it in line with that charged at Bond Street.

Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).

“COINS transmit the image of a ruler far more widely than any other medium available before photography.” Thus the blurb trumpeting the exhibition in the British Museum of portraits on coins.

LETTERS from the philosopher Ludwig Wittgenstein to members of his family are rarely seen on the market, but one lot in a Sotheby’s sale of December 9 presented no fewer that 40 letters and postcards addressed to his pianist brother Paul, among them some of the earlier known letters in his hand and, naturally enough, containing much on the subject of music. This lot found a buyer at £42,000.

WHEN Poole Pottery went into administration last June, it could have been a sad day for one of Britain’s best-known producers of table, giftwares and art pottery. But the Dorset pottery has risen phoenix-like under new ownership and is once again producing ceramics as well as launching four new giftware ranges.

INITIAL arguments in the £1.75m High Court dispute between Christie’s and Taylor Lynne Thomson over a pair of porphyry urns indicate that both parties intend to fight their corner vigorously.

Signed and inscribed by the poet Samuel Taylor Coleridge, this short poem called ‘Fancy in the Clouds: a Marine Sonnet’ was written on a piece of seaweed and sent to Charles Lamb.

THERE was quite a lot of frenzied activity at Bonhams (aka Glendinings) in the days running up to their sale on February 24.

“Probably the best sale of this type in a very long time. Very strong across the board,” enthused specialist Roy Bolton after his February 27 auction of Old Master Pictures at Christie’s South Kensington (17.5/10% buyers premium).