Letters to the Editor

I haven’t the slightest interest in political or royal commemorative ceramics (see Denzil Lush interview ATG 2607) but I find your interviews with collectors fascinating.

As widely reported in the media, Christie’s has bowed to pressure and cancelled the remaining sale of the spectacular jewellery, owned by the late Austrian art collector, Heidi Horten.

I would be grateful if any reader could assist in the researching of a painting by providing information regarding the exhibits at the 'Autumn Exhibition of Modern Oil Paintings and Watercolour Drawings' held at the Crystal Palace in October 1900.

Sorry to hark back to this subject again – ivory – but what brought it to the fore again is an article in ATG No 2607 about British Museum items on eBay.

I enjoyed reading David Lynd’s plea for help tracking down the elusive ‘little book’ mentioned by The Studio Magazine in 1919 (Letters, ATG No 2607).

In reply to Dirk De Nul’s enquiry about Hewson & Forster (Letters, ATG No 2606), Robert John Forster (1872-1928) moved from Newcastle to Sheffield in 1909 and joined William Hewson (b. c.1871) in the foundation of Hewson & Forster at 16 (they soon expanded into number 18 as well) Church Street, Sheffield.

I would like to warn others in the trade of an incident that happened to me recently.

Your back page on Volvos brought back many memories (‘Workhorse of the trade rides into the sunset after 70 years of toil’, ATG No 2605).

I have recently acquired a pencil portrait by Keith Henderson (1883-1982), the war artist and illustrator.

I write to you concerning my search for any information about this label found on the back of a painting.

I have been a subscriber to ATG for almost two decades and this is the first time I have written to you on a particular matter which I feel very strongly about.

I wondered whether any of your readers can help with this painting, an oil on canvas with signature.

Regarding Sotheby’s announcement concerning its move to the Dutch Auction system [for some sales of digital art – see ATG No 2602], one is left questioning why they have adopted this system.

Antiques Trade Gazette has recently reported on a spate of thefts at fairs and markets around the country, including at our own event.

Antiques Trade Gazette reported (No 2600) on the recent opening of my new saleroom at Royston in the name of Hanson Ross.

I write in response to the letter from Andrew Morris (ATG No 2601) endeavouring to identify the use of the pivoting spoon.

Thank you so much for taking notice of the plight of stallholders in London markets and fairs (ATG Nos 2599 & 2600).

Last month Sotheby’s announced it would be using the Dutch auction format – whereby the price starts high and is reduced until a buyer is found – for some sales of digital art, sparking a flurry of online media coverage. Its new Gen Art Program will start with an auction on July 26.

I noticed your article on Whitefriars glass (collecting guide on antiquestradegazette.com).

I wonder if any readers can help identify the purpose of a most unusual silver spoon in my possession.