Art Market

A painting by one of Picasso’s mistresses drew considerable interest at Halls (20% buyer’s premium) of Shrewsbury on February 6.

Three modestly valued works selling at regional sales below £900, including a David Bates view of the Wye.

Rare work by artist best known for his Lincolnshire views is a highlight of Dorset sale.

Portrait miniatures and sporting pictures were chief among the solid sellers in a traditional assemblage of paintings at Chorley’s (20% buyer’s premium) Country House sale in Gloucestershire on January 29.

Works by two artists who made the ocean their muse were the focus of a small collection at Bearnes Hampton & Littlewood (21% buyer’s premium) on January 29.

Good art at a great price in regional sales.

A painting by Scottish artist Dorothy Johnstone (1892-1980), executed near the peak of her career in 1921 made £3250 at Edinburgh saleroom Franklin Browns (15% buyer’s premium).

This inter-war ‘English school’ portrait of a seated gentleman wearing a bow tie, bought for around £150 three decades ago, sold for an unexpected £7600 at Charterhouse (21% buyer’s premium) on January 17. The unfinished 4ft 2in x 3ft 4in (1.27 x 1.01m) oil was dated 1922 but unsigned.

Three modestly valued works in regional sales.

“There’s no money around in January” is the refrain you often hear from businesses in the new year. But, as we know, the auction world behaves differently from other commercial markets.

The £140,000 record-breaking Cedric Morris lower painting at Chichester saleroom Henry Adams (plus 20% buyer’s premium) was not the only work by an artist-plantsman to feature in the January 17 sale (see ATG No 2377 for more on that Morris result).

Modern British pictures by female artists made a major contribution to the bottom line at Sworders’ (23% buyer’s premium) dispersal of the Barbara Holliday Collection.

An unusual Chinese School picture of a 17th century Dutch missionary scene led Christie’s (25/20/12.5% buyer’s premium) £2m sale of topographical pictures in London.

Three modestly valued works sold in regional sales.

An English School painting depicting one of the earliest venues in cricket was knocked down at £14,000 in a Winchester auction.

Much of the pre-sale interest in the 19th century paintings offered at the major London rooms centred on two landscapes by Caspar David Friedrich (1774-1840) at Sotheby’s (25/20/12.9% buyer’s premium).

Greenslade Taylor Hunt’s (19.5% buyer’s premium) first sale of the year got off to a bright start with a Singaporean painting sailing to £19,000.

Three modestly valued works sold in regional sales.

Gerald Brockhurst (1890-1978) was already an established etcher when his captivating canvases of society women catapulted him to fame during the interwar years.

Edward Coley Burne-Jones (1833-98) was the toast of London during the latest Victorian art sales held in the capital, where buyers continued to covet blue-chip Pre-Raphaelite art, market-fresh material – and invest in female names.