Belgium

Finch & Co from London has been showing at BRAFA for 12 years. “We regard it as one of the most successful and well-organised art and antique events in Europe,” notes the firm’s Jan Finch.

BRAFA is a big draw for the visitor in late January but as well as enjoying all that Brussels has to offer in general cultural terms there are other art and antiques-related events on at the same time.

Legend has it that, while on safari in Africa with her lover and employer Louis Cartier, Jeanne Toussaint spotted a panther and immediately exclaimed: “Onyx, diamonds, emeralds – a brooch!” The Cartier range of feline jewels was born.

Tyr Baudouin Lowet de Wotrenge is gallery director at Galerie Lowet de Wotrenge. The Antwerp gallery is among those exhibiting during London Art Week (June 29-July 6) and will be at 37 Bury Street.

Tour & Taxis in Brussels is a vast swathe of Victorian industrial warehouses on the city’s canal. The complex includes the former train station and its spacious central hall, a long-disused international postal and customs office with links to the German Thurn and Taxis family.

Brussels gears up for its major art and antiques fair this month with the latest edition of BRAFA.

Antiquities is one of BRAFA’s strong suits in terms of exhibitor volume. Around 10 specialists in this field are standing, plus a number of others that mix antiquities with, for example, Asian art.

The picture dealer element of BRAFA is substantial, but increasingly these days the emphasis is on works from the 19th century onwards, be they Impressionist and modern or post-war and contemporary art.

BRAFA has long been a fair with a speciality in early (medieval and Renaissance) works of art, which is something that dates back to the years when it was a Belgian National fair in the city centre. It thus serves a venerable collecting tradition drawing in buyers from the local area and further afield.

Tribal art has long been a Belgian speciality due to the country’s colonial history in Africa. So it is not surprising to see this area well represented at BRAFA, with around a dozen participants in this field hailing from Paris, Brussels and as far away as Montreal.

Some of the works on offer at BRAFA are simply too quirky to fit into any time-honoured collecting category, but they are often responsible for creating an eyecatching draw to a particular stand.

While BRAFA understandably dominates much of the cultural headlines during this period, it is not the only show in town.

While the French capital says hello to the new Fine Arts Paris fair, over in Namur in Belgium organisers are gearing up to mount the 41st staging of Antica Namur.

Dealers in and collectors of Asian art were spoilt for choice around the middle of June in Europe. As well as the Asian sale series in Paris (see last week’s ATG, No 2300), a vast selection of works came up for sale in Zurich, Cologne, Brussels, Salzburg and Stuttgart.

The Brussels Vintage Market was launched in 2010 at the delightfully named café Madame Moustache with about a dozen vintage vendors.

A Parisian fair is ‘exploring new horizons’ with its first international event held at a former royal ice rink in the Belgian capital.