Philip Mould

A public fund-raising effort to purchase the ‘lost’ portrait of Charles Dickens for the nation from dealership Philip Mould & Company has reached £60,000, a third of the asking price.

This week members of the market reacted to the coming ivory ban, the sale of a Star Wars sketchbook and the rise in finding treasure.

Dealer and Fake or Fortune? presenter Philip Mould has rediscovered a portrait miniature of Charles Dickens which will now go on public display.

The BBC’s 'Fake or Fortune?' returns to our screens with the seventh series on Sunday.

BBC TV presenter Fiona Bruce and art dealer Philip Mould are back together in the Pall Mall gallery to film part of the latest series of Fake or Fortune?

Artist Sir Cedric Morris (1889-1982) is to be the subject of two exhibitions in London to run concurrently this spring – one at the Garden Museum in Lambeth and one at the gallery of dealer Philip Mould in Pall Mall.

Dealer Philip Mould has discovered a painting of Lord Nelson (1758-1805) that reveals the hero’s true war wounds that were hidden under over-paint for 100 years.

An early 17th century painting of a woman in a red dress being restored at Philip Mould’s gallery has proved a hit with Twitter fans achieving more than 53k retweets and 130k likes within hours of it being posted.

The work of British society portrait painter Sir Oswald Birley (1880-1952) is being celebrated in a loan exhibition at London dealer Philip Mould.

Dealer Philip Mould was among the bidders at Sotheby’s sale of the Yeats collection this week.

The BBC's 'Fake or Fortune?' team uncovered the story behind two pictures possibly by Paul Gauguin during last night’s programme.

An early painting by UK-born Australian artist Thomas William Roberts (1856-1931), was authenticated on the BBC’s ‘Fake or Fortune?’ after being lost for more than 130 years.

A painting that dealer Philip Mould twice bought and sold more than 15 years ago has been attributed to John Constable in the first episode in the new series of the BBC’s 'Fake or Fortune?'.

A media report of a spat between two of television’s best known art detectives – dealers Philip Mould and Bendor Grosvenor – has not been denied by the dealers when contacted by ATG.

Dealers Philip Mould and Simon Phillips have intervened in the fight to save Jermyn Street's tapestry gallery and archive in St James's.

London dealer Philip Mould has revealed his “first and most stupid deal” and his regret at missing out on buying a drawing by David Hockney.

An appeal to buy Van Dyck’s final self-portrait for the nation, painted in England in 1640-41, has been given a boost by the news that a lower price is expected.

The practical use of the Public Catalogue Foundation to the art trade is certainly obvious to Mayfair dealer Philip Mould, who is one of the project’s sponsors.