Sotheby's

IN reporting the sale of the John R.B. Brett-Smith library at Sotheby’s on May 27 (Antiques Trade Gazette No 1646, July 3), I mentioned and illustrated the sale at £2800 of a work of 1679 called Female Poems on Several Occasions written by Ephelia.

ROUNDING off a sale of Western Manuscripts and Miniatures at Sotheby’s on June 22 was what, at first glance, must have seemed an unusual inclusion in a manuscript sale – a 13 1/2in (35cm) high carved ivory plaque featuring a figure of a Roman Consul.

RIGHT: despite the occasionally negative press the antiques trade has received in recent weeks a media circus arrived at Sotheby’s on July 7 to watch the Bond Street auctioneers sell Young Woman Seated at the Virginals, a newly-acknowledged picture by Johannes Vermeer (1632-75).

IN the eyes of many of today’s collectors, it is the realist interiors, which range from old farm buildings to grand rooms, and the figure subjects of William Henry Hunt (1790-1864), which are most desirable, a fact highlighted by the artist’s sale results.

WITH selling rates that rarely dip below 80 per cent and steadily increasing totals that are the envy of more traditional departments, auctions of Contemporary art continue to go from strength to strength.

THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.

SHEER decorative exuberance helped this Roman mosaic panel, c.2nd century AD, right, sell to an American private collector for $260,000 (£141,305), almost triple the upper estimate at Sotheby’s New York (20/12% buyer's premium) sale of June 9.

THE forerunners of their kind may have been a relatively humble form of seating, but, as two lots in the recent English furniture sales showed, it wasn’t long before the Windsor chair began to branch out.

THE highlight of Christie's (20.93/11.96% buyer's premium) sale on June 14 was this 16in (40cm) high Benin bronze plaque (c.1580-1620), right, featuring a warrior chief, brandishing a sceptre in his right hand and a short eben sword in his left. The plaque, formerly owned by Edgar Dimsey, a surgeon on the British punitive expedition to Benin in February 1897, retained sharp detailing and sold to a European collector for a hefty €450,000 (£300,000) against an estimate of €150,000-200,000.

COMBINE the perennial appeal of the Fabergé name with the current demand for all things Russian and it has been no surprise to see soaring prices for pieces by this famous firm in recent seasons.

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

TWO very strong prices, one in Edinburgh and one in London have underlined the status of the Zeigler as the most fashionable of late 19th century carpets. And the £110,000 and £130,000 bid for Zeigler & Co. carpets at Lyon & Turnbull on March 31 (Antiques Trade Gazette 1636, April 24) and Sotheby’s on April 28 (Antiques Trade Gazette 1641, May 29) had one thing in common – both were made with cream grounds.

BACK in July 1984, Christie’s took £75,000 (£81,000 with premium) for Thomas Rowlandson’s (1756-1827) pièce de résistance watercolour of Box-lobby loungers.

TWENTIETH century and Contemporary art underlined their status as the key growth areas for the major auction houses when London’s June round of Part I Impressionist, Modern and Contemporary sales netted £120.4m. Six months ago the equivalent sales took £94m, while back in June 2003 – when war was raging in Iraq – they could only muster a relatively modest £81m.

IT was amongst the shaded woodland of the Thames Valley that Windsor chairs are thought to have originated. The forerunners of their kind may have been merely a humble form of seating, but, as two lots in forthcoming English furniture sales show, it wasn’t long before the form began to branch out.

OVER the years, the collaboration between Sotheby’s Sussex and the Ironbridge Gorge Museum Trust has done much to fill in the gaps left by the lack of detailed company records of Coalbrookdale furniture, and the May sale at Billingshurst, which featured 86 lots amassed over a number of years by a dealer/collector, offered another opportunity to assess the market.

FOSSILS, whose decorative qualities in either antique or contemporary settings, have made them a regular feature of Sotheby’s garden sales at Billingshurst, opened the May event with 100 lots. Although dealers have become interested in the genre (there are, for example, now stands selling natural history at Olympia), private buyers took the top offerings including the best seller, a detail of which is shown right.

IF the Toguri collection’s £600,000 black and white baluster vase was a masterpiece of Cizhou art, the size, detail and ingenious use of the stone’s natural inclusions make this monumental black and grey water buffalo, offered in Sotheby’s Bond Street’s 127-lot mixed owner outing on June 9, a master class in jade carving.

THE 463 lots that made up the first portion of science books from the Earl of Macclesfield’s library at Shirburn Castle, sold by Sotheby’s on June 10, covered just the letters A-C, but the contents of this extraordinary library, virtually untouched since the 18th century, are such that even this starter helping raised a premium-inclusive total of £3.57m.

IT was amongst the shaded woodland of the Thames Valley that Windsor chairs are thought to have originated. The forerunners of their kind may have been merely a humble form of seating, but, as two lots in forthcoming English furniture sales show, it wasn’t long before the form began to branch out.