Christie's

Collections from two former British prime ministers – Sir Harold Wilson and Margaret Thatcher – sold out at auction in the same week.

For antiquities aficionados, the pinnacle of Christie’s ‘Classic Week’ in New York was its single-owner offering of 40 exquisitely carved intaglios and cameos hailing from the ancient world.

This over life-sized marble bust depicts Emperor Didius Julianus, who ruled the Roman empire for just a few short months in the year 193AD. His fleeting 66-day reign took place during the tumultuous period known as ‘The Year of the Five Emperors’ and came to a grisly end when he was murdered by a common soldier.

Among the top lots at Christie’s (25/20/13.5% buyer’s premium) trio of Old Master sales during ‘Classic Week’ was a rediscovered oil sketch by Jacques-Louis David (1748-1825) for 'The Distribution of the Eagle Standards'.

One of the few images of a 16th century Eastern potentate by a Western artist emerged from a ‘royal collection’ to sell for a multi-estimate sum at Sotheby’s.

This 3ft 10in (1.15m) wide Qianlong (1736-95) three-colour lacquer throne merits a catalogue of its own and an £800,000-1.2m estimate at Christie’s in London on May 14.

While Sotheby’s and Christie’s no longer hold regular dedicated auctions of European ceramics, they still cater for elements of this market in their main centres worldwide via series of mixed-discipline traditional decorative arts auctions.

The latest version of Christie’s (25/20/12.5% buyer’s premium) Collector sale in New York featured an interesting collection of equine pottery: an ensemble of 10 large-scale English pearl ware horses, the majority made in the Leeds pottery in the first half of the 19th century.

Researching Old Master paintings is sometimes likened to putting together the pieces of a jigsaw. But for one upcoming work, it seems this was quite literally the case.

Drawings Week in the French capital included a wide variety of styles, eras and value. Pictured here is a selection of highlights and some more affordable items from the vast array of works on paper of all types offered during Drawings Week in Paris in late March.

Not everything in the spring drawings sales required a six-figure bank balance to purchase. Plenty of more affordable works appeared across all the Paris rooms – both Drouot and the independents (and, of course, in the various dealers shows and fairs). Pictured here are some works within the reach of less elevated budgets.