Art and antiques news from 2004

ALTHOUGH it is now in its 11th year, the Spring Fine Art and Antiques Fair, which will be held at Olympia in West London from March 2 to 7, is the most recent of the three annual Olympias. To many eyes it is the most stylish and best looking of the three – to others it is the most problematical. It is certainly different.

There was high excitement at the Cork rooms of Joseph Woodward & Sons (15% buyer’s premium) on February 11 when what was thought to be the earliest surviving painted view of Cork harbour fetched what is known to be the highest auction price ever paid for a painting in the city.

Proving once again that radially-expanding tables are among the most practical and the most coveted pieces of Victorian furniture, the Hereford Rowing Club received an unexpected cash windfall when their often misused clubroom table sold at Brightwells in early February.

In commercial terms ecclesiastical silver is not the strongest area of the market but there is no doubting its social and historical interest, especially when it has retained its links to the church for which it was made.

IF asked to nominate the subject of a commercial painting by Montague Dawson (1895-1973), most specialists and collectors would think of a clipper ship, preferably an American clipper in full sail on picturesquely choppy, but not too choppy, seas.

The title page of Hugh Maccaghwell’s On the Sacrament of Penance which, printed at Louvain in 1618, is recognised as “the first original work by a living author in Irish”. The few works printed in Irish that preceded it were the Bible, liturgical texts or translations of the works of others, but this was one of five works produced in the years 1614-18 at a press operated by the Irish Franciscans at St. Anthony’s in Louvain – the first press to print and promote Irish writing in the vernacular.

A compromise deal has been agreed between rival Paris fair organisers the Syndicat National des Antiquaires – the national dealers’ association, which stages the Biennale and the Salon du Collectioneur at the Carrousel du Louvre – and SOC (Société d’Organisation Culturelle), the commercial company (owned by Paris dealers Patrick Perrin and Stéphane Custot) which stages the twice-yearly Pavillon des Antiquaires et des Beaux Arts in the adjacent Tuileries Gardens.

Countless numbers of sardine dishes were turned out by the 100 or so potteries who made majolica wares in the final third of the 19th century but for some collectors the mission is to find an example of each.

THERE are a plethora of fairs in March but, as usual, the one that will dominate will be TEFAF Maastricht in the Dutch city’s MECC (exhibition centre) from March 5 to 14, with the famous vernissage on the evening of March 4. Here is a taster of the kind of finds you can expect at the world’s number one art and antiques fair.

London’s Asian auction scene will not get into full swing until next month when the capital’s main rooms field sales of mixed Asian or Export wares before the action moves across the Atlantic for the New York fairs and sales.

PEWS, screens, panelling, fonts, lecterns and even a church spire make up just some of the myriad lots on offer at a clearance sale at Pew Corner in Surrey on February 28. Somewhere in the region of 1000 lots will be put up for sale on site from 10am by auctioneers Wellers of Chertsey.

The highlight of a 110-lot private collection of Scottish and Scottish-interest silver sold by Edinburgh auctioneers Lyon & Turnbull on February 19 was this tiny dram cup made by Hugh Ross c.1720.

SILVER SALES: Although different in size, the 451-lot silver sale at Bonhams’ Knightsbridge (17.5/10% buyer’s premium) sale on February 10 and the 263 lots offered at Christie’s South Kensington (19.5/12% buyer’s premium) on February 17 were both fairly routine affairs by London standards.

New laws to benefit the disabled due to come into force later this year will have implications for antique shops, centres and auction houses. The Disability Discrimination Act, covering all shops and service providers, irrespective of size, requires companies and venue managers to improve access and facilities for wheelchair users from October 1.

NINE prominent London specialist dealers have joined forces to launch London Sculpture Week this June. In recent years a number of such initiatives have been launched successfully to focus attention on an area of expertise in the capital. With increasing interest in sculpture it was thought it was time to highlight London’s considerable credentials in this field.

LAPADA have named their new chief executive as Sarah Harvey, a former auctioneer at both Phillips and Sotheby’s. She will take up her post on March 29.

Choosing to concentrate upon their auction business, Sotheby’s Holdings, Inc., have sold their real estate brokerage operations to Cendant Corporation. The total cash purchase price for the luxury brand and a 100-year licensing agreement was approximately $100m, plus ongoing fees based on future royalties from the development of a franchise business planned under the Sotheby's International Realty name.

TRANSPORT for London have begun the first stage of a public consultation on the proposal to effectively double the area of coverage of the London congestion charging system. The proposal suggests extending the current zone westwards from Park Lane to include most of Kensington and Chelsea and Westminster where many of the city’s art and antique dealers are based.

A COLLECTION of essays published at the launch of the Maastricht fair aims to tackle prejudice against the art market among politicians, academics and the public.

Local trade fare particularly well at Powderham: TWO weeks ago, when Sue Ede of Cooper Antiques Fairs promised her new West Country Antiques Fair at Powderham Castle, near Exeter, would be “an antiques event of a quality not seen before in the West Country”, I must admit I thought that a very bold claim indeed.