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Tea Caddy


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Bidders home in on a top tea caddy

21 August 2023

A superior tea caddy proved to be the toast of a Bonhams’ (28/27/21/14.5% buyer’s premium) sale of fine decorative arts in London.

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Pick of the week: Take tea early with an Elers English caddy

02 January 2023

Although Dutchmen John and David Elers came to London sometime in the 1680s as silversmiths, the brothers are remembered today as the potters who brought fine unglazed stonewares to Staffordshire.

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English tea caddy on offer at Butterscotch

11 July 2022

Butterscotch in New York is holding its summer estates auction on July 17.

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Fussy time-keeper at auction, then an idiosyncratic dealer

26 April 2021

South London auction house Roseberys (25% buyer’s premium) was instructed to sell the collection of Herbert Kennard on March 26.

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Dr No rubs shoulders with caddies and dishes

04 May 2020

Among 83 lots of film and entertainment memorabilia offered at Lacy Scott & Knight (20% buyer’s premium) in Bury in St Edmunds was a British quad-size poster for 'Dr No', the first James Bond film starring Sean Connery released in 1962.

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Dealer serves up a loan to tea exhibition

08 July 2019

A Henry Clay polychrome tea caddy, c.1785, in the manner of Robert Adam is among the pieces lent by dealer Mark Goodger of Hampton Antiques to be featured in Compton Verney Art Gallery’s exhibition A Tea Journey: From the mountains to the table.

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Quick return is poor return for Grendy

13 July 2004

IN the same week that Sotheby’s and Christie’s were offering their summer selections of English furniture, Bonhams’ Bond Street (19.5/10% buyer’s premium) offered a 224-lot English and Continental mix that also incorporated a sizeable selection of works of art. The broader mix didn’t result in a higher take-up: selling rates for this July 29 event were 54 per cent by lot and 65 in money on a £640,440 total.

Bidding boils to £10,800 on a quirky caddy to the trade’s taste

19 April 2004

QUALITY, rarity, condition, provenance and fashion all have a bearing on auction prices, but perhaps the most difficult criterion for any specialist to value is the appeal of an object’s quirkiness.