Watercolours

THE market for early English portrait miniatures received a sizeable fillip in London last week. The auction record was broken twice within the space of 24 hours with the sale of two iconic images of major figures in British history and this was backed up by a crop of other strong prices for top flight examples from the 16th and 17th centuries.

“A MOMENT of European importance” is how architects acknowledge Tyringham Hall in Buckinghamshire. It is one of the greatest country houses designed by Sir John Soane (1753-1837), the leading architect of his generation.

Four Beatrix Potter watercolour Christmas cards, recently discovered in a Wiltshire attic, will be sold by Highworth, Swindon auctioneers Kidson-Trigg on September 20. The cards have been consigned by descendants of the original recipients, Elizabeth (1888-1977) and Elinor (1886-1979) Lupton.

Works by Eric Ravilious (1903-1942) are only very occasionally seen on the market. So when this evocative watercolour Salt Marsh was offered at Sworders (15% buyer’s premium) sale in Stansted Mountfitchet on April 11 it attracted at least seven interested parties.

A cache of William Blake watercolours, unearthed in a Glasgow bookshop five years ago, are to be sold in New York after attempts to keep them together in the United Kingdom have failed.

Dreweatt Neate Fine Art have arranged a major private treaty sale to the National Library of Australia, on behalf of a prominent UK family, of a historically important folio of watercolours.

Long before J.R.R. Tolkien settled down to write The Hobbit, he had acquired a postcard reproduction of the ink, watercolour and gouache painting Der Berggeist (The Mountain Spirit).

The rainbow plate seen above right comes from an 1814 first issue* of David Cox’s Treatise on landscape Painting and Effect in Watercolours, an oblong folio work that incorporates a hand-coloured aquatint frontispiece and 31 plates (15 coloured, 15 in sepia) as well as 24 soft ground etchings.

In November 1933, the Queen Mother (then Duchess of York) wrote to Charles Edmund Brock (1870-1938), a noted illustrator and society painter, commissioning a family portrait.

INCLUDED in Potburys’ (12.5% buyer’s premium) sale in Sidmouth, Devon on February 8 and 9 was a 75-lot collection of pictures by the Orientalist painter Charles Robertson (1844-91) consigned from his granddaughter’s estate. They appear to have been the works that remained in the family after the artist’s Godalming studio was sold off following his death from a heart attack aged 47.

Executed in the 1890s, when Beatrix Potter was working for the greetings card firm Hildesheimer, this little ink and watercolour drawing was last seen at auction in London about ten year ago, but on December 1 it came back to Christie’s South Kensington and sold for £25,000.

Christie’s King Street (19.5/12% buyer’s premium) were pulling out all the stops for their first full week of the month.

“Business has been good, but to achieve this I have had to work extremely hard.” This is how Chris Beetles summed up 2004 and, having already taken over £500,000 in sales from his renowned annual exhibition of British illustrators, he is ending the year on a bullish note.

NEXT year’s Watercolour and Drawings Fair will move to a new venue, the Royal Academy rooms at 6 Burlington Gardens, London W1, where it will run from February 3 to 6 with an opening evening preview on February 2.

THE Mira Jacob Collection sale at Bailly-Pommery-Voutier & Sotheby's (23.92 - 14.35% buyer's premium) included a smattering of drawings and watercolours by artists outside the dealer’s sphere of influence – from a small Picasso ink sketch of a Glass and Jar, bought in at €44,000, to a Degas pencil portrait of Thérèse Degas, 11 x 8 1/2in (28 x 22cm), which sold at a quadruple-estimate €77,000 (£52,400).

SOME canny detective work by both the auctioneer and the buyer seems to have come up with answers to most of the questions surrounding this intriguing unsigned mid-19th century miniature on ivory, right, offered by Neales (15% buyer’s premium) of Notttingham on September 9. The 4 x 3in (10 x 7.5cm) miniature, presented in its original Victorian frame in a glazed easel display case, had been entered by a private vendor who had no idea of either sitter or artist.

JAMES Sillett was a jobbing artist from the Norwich School of painters, who worked on a broad spectrum of projects including heraldic painting and stage scene decoration, but he is best known as a competent miniaturist.

THIS year marks the 200th birthday of the Royal Watercolour Society and many past members, such as William Callow (1812-1908), have been masters in portraying the detail and differing surface textures of building.

BACK in London, Chris Beetles of Ryder Street in St James’s has just opened his amusing annual show of cat pictures, which, as always, features an important group of works by the world’s most famous exponent of the genre, Louis Wain (1860-1939).

DESPITE having success in his day, it seems a major oversight that marine artist Neville Sotheby Pitcher (1889-1959) does not make it into the specialist reference books such as E.H.H. Archibald’s The Dictionary of Sea Painters.