Modern British Art

A William Nicholson (1872-1949) portrait drew admirers at Thomas R Callan (17.5% buyer’s premium) on November 19 as it was hammered down for £150,000.

Wright Marshall (21% buyer’s premium) featured a still-life by John Pawle (1915-2010) in its sale on October 28 in Knutsford, Cheshire.

Sotheby’s posted a record for the artist CRW Nevinson on November 21 when an important Great War scene was knocked down at £1.55m (£1.87m including premium).

The artist Stanley Anderson (1884-1966) was a perennial sceptic of 20th century ‘progress’. An engraver, etcher and watercolour painter, he started working in line engraving in the 1920s when it was an outmoded and almost extinct form of graphic output.

For its final pair of exhibitions this year, The Fine Art Society in Edinburgh is staging Modern Scottish Paintings, 1940-85 and John Byrne Rock ‘n’ Roll from November 24-December 23.

Just a clutch of canvases by the Cornish artist Marjorie Frances ‘Midge’ Bruford (1902-58) have gone under the auctioneer’s gavel.

Lists of artwork by Geoffrey Clarke (1924-2014) can read like a travelogue.

A collection of market-fresh pictures with a distinctive Surrealist streak found favour with buyers at Charterhouse (21% buyer’s premium) in Dorset.

Fitzroy Square to the north of central London was a key location in early 20th century British art. Virginia Woolf lived here for several years, a few doors down from Bloomsbury Group artist Duncan Grant, and James Abbott McNeill Whistler also had a studio.

This archetypal still-life by Cecil Kennedy (1905-97) topped Halls’ (20% buyer’s premium) £300,000 auction on October 18.

'A Dawn', a 1914 picture by CRW Nevinson (1889-1946) in his trademark Vorticist style has been consigned to Sotheby's from a private source.

A brace of unrecorded pastels by celebrated Scottish Colourist SJ Peploe (1871-1935) sold strongly at Lawrences (22% buyer’s premium) in Crewkerne.

Figuring why a specific lot did unexpectedly well is part and parcel of reviewing auctions but this oil on board lunette of a pastoral idyll below is more of a challenge than most.

The work of non-combatant artists in wartime is covered in two separate exhibitions...

Dorchester auctioneer Duke’s said it has changed its due diligence procedures after advertising fake works it claimed were by Cornish artist Alfred Wallis (1855-1942).