Impressionist and Modern Art

USA: Mixed signals emerged from New York’s crucial November round of Part I Impressionist and Modern sales, the most significant test of the international art market since September 11.

The London art market breathed a general sigh of relief last week after Sotheby’s and Christie’s Part I Impressionist and Modern sales belied the atmosphere of economic uncertainty with a clutch of high prices for classic works by the major names of late 19th and early 20th century art.

US: REVERED as the only Irish artist to have been fully involved in the developments of French avant garde painting during the early years of Modernism, Roderic O’Conor (1860-1940) has inspired a succession of impressive six-figure prices over the last couple of years, culminating in the £320,000 bid by a Dublin collector for a c.1903 Post-Impressionist oil, Nature Mort: Faience, at Sotheby’s June 21 sale of Modern British & Irish Art in London.

USA: Fears that the recent slowdown in the US economy would drastically affect the top end of the art market were to some extent realised at New York’s Impressionist and Modern sales last week.

UK: LEVELS of demand at Bonhams & Brooks’ (15/10 per cent buyer’s premium) March 22 sale of Modern and Contemporary British and Continental Art were less impressive than the Phillips event of March 20.

UK: Last week London saw Sotheby’s and Christie’s first ever round of major Impressionist, Modern and Contemporary sales in February.

UK: THIS looks the life! Relaxed in elegant company, high above the world and its cares on a sunlit terrace with parasols and palms.

PICASSO’S Blue Period canvas Femme aux bras croisés set a world record for the artist at auction on November 8.

FRANCE: A Paris court has granted a temporary injunction placing a Cézanne painting currently on show at a city museum under legal supervision pending an inquiry into its ownership.

LONDON: Highlight of the German and Austrian series from the Marvin & Janet Fishman Collection was Egon Schiele’s oil on canvas Portrait of the Art Dealer Guido Arnot, 4ft 7in x 3ft 7in (1.40 x 1.09m), signed and dated 1918 which sold at Sotheby’s in London for £6.5m (plus premium), more than twice its top estimate.

The market for 20th century German art proved dramatically selective last week when the much-promoted Marvin & Janet Fishman Collection came under the hammer at Sotheby’s on the evening of October 18.

SOTHEBY’S have announced that they are to move the Impressionist, Modern and Contemporary Art sales they usually hold in December to February.

THOUGH it might no longer be the place where an international vendor would choose to sell a £20m Picasso or Van Gogh, London last week enhanced its reputation as a revenue for selling major-name Impressionist, Modern and Contemporary art with a string of major results at Sotheby’s and Christie’s evening sales.

US: A concerted push into the market by Phillips meant that there were three major players on the Impressionst and Modern auction scene in New York last week.

UK & US: PHILLIPS’ traditional reputation as the permanent poor relation of Sotheby’s and Christie’s at the top end of the international art market could be turned on its head by a clutch of high value consignments soon to be offered in London and New York.

The international market for Impressionist and Modern art saw further consolidation last week in London when Sotheby’s and Christie’s Part I and Part II sales turned over a combined total of £86.3m, some 45 per cent up on the £47.8m achieved at the equivalent sales last year.

US: THE MARKET for Impressionist and Modern art saw further consolidation last week when Sotheby’s and Christie’s turned over a premium inclusive $466m (£289.5m) for their November sales of works by the world’s most expensive artists.

UK: June saw London re-affirm its position as one of the world’s two premier venues for selling top quality Impressionist and Modern art with record-breaking sales at Sotheby’s and Christie’s.

US: THE bonanza of Impressionist and 19th century art sales in New York, headlined by the record $55m (£33.5m) hammer price paid for a Cézanne still life, has highlighted various trends in the market, not least the dominance of Post Impressionist works.