Fine Art

Buoyed by rising stockmarkets and the continuing strength of the euro against the pound, European private collectors were buying in force at Sotheby’s and Christie’s February round of Impressionist, Modern and Contemporary art sales in London.

With Sir Walter Scott setting the tone and Victoria and Albert in the vanguard, 19th century followers of fashion developed a highly romanticised passion for all things Scottish.

At first glance, this 7ft 6in x 5ft 7in (2.28 x 1.70m) canvas, right, of the Temptation of Adam by the French artist Jean-Baptiste Santerre (1651-1717) might seem to be a fairly standard, if unusually large, depiction of one of the most hackneyed religious themes in Western art.

Appearing at Frank R. Marshall’s (15% buyer’s premium) sale at Knutsford, Cheshire on January 11 and selling at £720, was this 10 x 7in (25 x 18cm) oil-on-canvas, right, by Augustus Edwin Mulready (fl1863-1880 d.1886). Framed, mounted and indistinctly signed, it showed a characteristic subject for the artist, and was estimated at £200-300.

NO more the enfant terrible of the Brit-Art world, shark man Damien Hirst is quite at home in salubrious Knightsbridge, especially after he walked away with £11m from his famous Pharmacy sale at Sotheby’s.

THE first afternoon session of a January 20-21 antiques sale held by Lawrences of Crewkerne presented more than 400 lots of books, amongst them a good collection of private press books featuring the wood-engraved illustrations of David Jones.

THE appearance of a significant Lenkiewicz forgery on the market has prompted the foundation dedicated to the artist to set up an authentication service.

Back in the late 1920s, during the height of the so-called Etching Boom, prints by Scottish contemporary artists such as Muirhead Bone, David Young Cameron and James McBey were the subject of the sort of feverish speculation which now characterises the market for cutting-edge names like Damien Hirst, Richard Prince and Maurizio Cattelan.

ANTO CARTE (1886-1954) has emerged as the darling of the Belgian auction scene in recent years, and was again responsible for the country’s top saleroom price in December.

Damien Hirst’s tiger shark suspended in a tank of formaldehyde, once the centrepiece of the Charles Saatchi collection and arguably the best-known work by a late 20th century British artist, has been sold to an American collector for a price close to £7m.

Morphets, Harrogate, November 25 Buyer’s premium: 15/10 per centTWO different female figures stole the limelight at Harrogate; a rather racy bronze and alabaster, semi-nude who graced the catalogue front cover, and a much smaller, more demure, bronze bust of a young girl.

A new auction high for the Neapolitan Impressionist Vincenzo Irolli (1860-1949) was established by Sotheby’s (20-15.42% buyer’s premium, excluding VAT) last month in Milan when they offered this oil on canvas entitled La Pesca Fortunata (A good haul) in their sale of 19th century pictures on December 13.

What makes a painting totally uncommercial one year and a sure-fire seller the next?Clearly, if there was a general principal of financial success to be learned in the art market there would be rather more dealers appearing in the media’s annual rich lists than there are now.

SOME areas of the art market seem impervious to the changing winds of taste. One is quality pictures of great European cities by recognised artists which appeal across the usual boundaries of generations and national borders.

The Cheltenham Art Gallery & Museum have added two paintings by Joseph Southall (1861-1944) to their internationally recognised collection of British Arts & Crafts.

The rise and rise of Winifred Nicholson (1893-1981) out of the shadow of her husband, Ben, can be compared to that of Gwen John, now recognised as at very least equal to the artistic talent of her brother Augustus.

Formed by screenwriter and director Andrew Birkin during research for a trilogy of plays, The Lost Boys (first broadcast in 1978) and for his biography of J.M. Barrie, a 19-lot collection that tells the story of his friendship with the Llewelyn-Davies boys and the emergence of one of the best known characters in all of children’s literature, Peter Pan, attracted a great deal of media publicity before being put up for sale at Sotheby’s on December 16.

The main talking point of Gorringes’ (15% buyer’s premium) December 7-8 sale in Bexhill-on-Sea was the remarkable £260,000 bid on the second day for the early 17th century pietra dura table top featured on the front page of Antiques Trade Gazette no. 1670 (25th December/1st January).

Nadar (1820-1910), real name Félix Tournachon, is best known as one of the leading specialists in early photographic portraits.

A Dada still life collage by Francis Picabia that came with an equally illustrious trail of previous owners headed the modern art sale at CalmelsCohen (20.33-11.96% buyer’s premium) on December 6.