Decorative Art

Clarice Cliff: The latest auction foray into the colourful world of Clarice Cliff at Christie’s South Kensington (17.5/10% buyer’s premium), May 2, did not perform as well as previous specialist sales. Buyers were only found for 62 per cent of the 302 lots compared to their last Clarice Cliff outing in November 2001 that boasted a higher 72 per cent take-up for the 430 lots.

AT the end of this week the Gilbert Collection at Somerset House in London will unveil a new display of one of the most outstanding collections of silver.

Over the years, car mascots have been used to advertise not merely the marque of the machine but also as good luck charms and were patriotic symbols during the First World War. In the mid-Sixties, car mascots were banned in the UK, being deemed a ‘danger to public safety’ because of the injuries they could cause in collisions. Since then, naturally, their collectabilty and value has steadily increased.

Jewellery and silver enthusiasts were catered for in Ireland as well as Wiltshire during April as private buyers flocked to O’Reilly’s (15 per cent buyer’s premium) sale of gemstones and silver in Dublin on April 10.

OFFERED as part of a March 28 sale held by Pacific Book Auctions was a set of six porcelain plaques painted by John Tenniel with characters from Alice in Wonderland.

Royal Doulton and Moorcroft collectors are always in abundance at these sales in the heart of the Potteries, and if their specialisms within their subjects sometimes make for hard going at the rostrum, the increasing demand for Royal Albert pieces was well catered for.

A pair of ornamental blue and gold vases made by the Manufacture Impériale in St Petersburg (c.1825-30) soared to €520,000 (£335,000) at Beaussant-Lefèvre on April 10.

Over the last six months Amersham Auction Rooms have reported an increase in prices for ceramics and collectables in contrast to static or falling bids placed for furniture.

One of the main preoccupations of the 19th century art potters – and a distinguishing feature of much of their work – is an emphasis on hand crafting and experimental work and an interest in the techniques and glazes of earlier periods.

The elegant Château d’Enghien, 30 kilometres south west of Brussels, will once again play host to the Belgium ceramics fair next month, from May 1-5.

Dreesmann’s 132 lots of Dutch silver made a major input into Christie’s Amsterdam (20.825/11.9% buyer’s premium) session of his collection, accounting for five of the ten highest prices and completely selling out.

The curious inhabitants of Middle Earth have existed quite happily (and vividly) in the minds of readers since J.R.R. Tolkien’s epic The Lord of the Rings first appeared in the 1950s.

Glass from Islamic Lands by Stefano Carboni, published by Thames & Hudson in association with The al-Sabah Collection, Kuwait National Museum. ISBN 0500976066. £40 pb

WITH nearly 300 ceramics and glass lots covering a range of interests, there was almost bound to be one surprise at this Midlands sale for Bonhams on 13 March.

The Doulton Lambeth Wares by Desmond Eyles, revised by Louise Irvine, published by Richard Dennis Publications, The Old Chapel, Shepton Beauchamp, Somerset, TA19 0LE. ISBN 090368579 £60 hb.

SEVEN decades of work by Susie Cooper, one of Britain’s keynote ceramics designers, is the subject of ‘Susie Cooper Style’, an exhibition running until the autumn at the Wedgwood Story visitor centre at Barlaston, Stoke-on-Trent.

From the time commission bids began to come in, it was plain one item would tower above everything else at the 558-lot Harrogate sale held by Morphets (15/10% buyer’s premium) on March 7 – the Archibald Knox silver wine flagon shown right.

The continued demand for Art Nouveau and the ageless appeal of the female nude provided a winning combination at the sale held by Richard Winterton (11% buyer’s premium) at Burton-on-Trent on March 13.

This silver novelty bookcase 121/2in (32cm) high, pictured right, marked for George Betjemann & Sons 1907, drew huge interest both before the sale and when it went under the hammer at Bonhams’ Knightbridge rooms on March 12. It left the auctioneers’ £300-400 estimate standing as it was pursued to £4300.

A silver trophy in the shape of an artist’s palette is unusual enough without it being designed to reward a scientist. But this award dates from a period in Irish art history when painters were proficient, but their paint was poor.