Decorative Art

ENGLISH POTTERY AND LATER ENGLISH CERAMICS: The mixed-owner, all-English sale held by Bonhams Bond Street on December 10 covered a much broader canvas than the Billie Pain collection. It ranged from early delftwares to 20th century Royal Worcester, with examples of most other ceramic categories in between.

Combining exotic subject matter with rarity value, figures of the Victorian lion-tamer Isaac Van Amburgh are among the most desirable of all Staffordshire portrait figures.

THERE will be even greater English trade interest in one of the big success stories of recent years on the New York fairs scene – The New York Ceramics Fair. The fair, which has expanded from four to five days and will run at the National Academy of Design Museum, 1083 Fifth Avenue at 89th Street, from January 14 to 18 with a preview party on the evening of January 13.

This Women’s Social and Political Union medal for valour was awarded to Mary Richardson, the Canadian-born militant suffragette who, in protest at the re-arrest of Emmeline Pankhurst in March 1914, slashed the ‘Rokeby’ Venus with an axe at the National Gallery.

One of the unforeseen consequences of the arrival of Enlightenment philosophy in Puritan Scotland was the creation of clubs and societies that encouraged exuberant and outrageous behaviour in their members. The best known is the Beggar’s Benison.

A National Art Collections Fund grant of £37,500 has helped Ely’s Stained Glass Museum acquire an important early 13th century French stained glass panel of the bust of a king.

THE inscription Wilkes And Liberty No. 45 on this 9in (23cm) diameter Lambeth delftware portrait plate is as good as a date as it refers to the publication of the 45th issue of John Wilkes’ sharp-tongued periodical The North Briton.

Prior to the sale of two record-breaking lots of Beswick at Bonhams’ October 28 sale – a colour trial Galloway Bull (£8800) and the Spirit of Whitfield (£9500) – the auction record for Beswick could well have been the £3500 paid for this rare figure at Potteries Specialist Auctions on October 22.

The object on which the keenest attention in the works of art world was focused this month was this 161/2in (42cm) diameter, 15th century parcel-gilt and silvered bronze roundel depicting Mars, Venus, Cupid and Vulcan.

The technique of Limoges enamelling, imitated by a number of historically-minded potteries in the second half of the 19th century, was championed at Worcester by Thomas Bott and then by his son Thomas John Bott.

Hand and Machine by Robert Welch, published by Robert Welch, ISBN 0951085506 £20hb, and available from Robert Welch, Lower High Street, Chipping Campden, Glos. GL55 6DY. Tel: 01386 840522.

DECANTERS of all types from the 18th century to the present are the subject of an exhibition running at the Broadfield House Glass Museum, Dudley, until April 18 next year.

To mark the last firing of a traditional bottle oven in 1978, the Royal Doulton factory produced a special backstamp to apply to the base of a few otherwise ordinary character jugs.

This unmarked mid-19th century chamber pot was one of the choice lots in the mixed-vendor section of Dreweatt Neate’s recent sale.

David Drakard is well known for his contribution to our knowledge of British ceramics both as a longstanding member of the English Ceramic Circle and as the author of two books on blue printed wares.

This 10in (25cm) Burleigh Ware pottery wall plate, by Charlotte Rhead established a new auction record for the industrial ceramicist when it sold for £2900 (plus 10 per cent buyer’s premium) at Andrew Hartley Fine Arts on October 8. Consigned to the Ilkley rooms via a local house clearance, the vibrantly-coloured plaque carried the pattern number 4350, a design previously known only from pattern books dated to c.1928-29.

Bonhams weren’t the only London salerooms to be offering a good selection of antique glasswares. On October 9, just a week after the Harvey’s dispersal, Christie’s South Kensington (17.5/10% per cent buyer’s premium) had a mixed-owner 280-lot selection of British and Continental glass to offer as part of their monthly At Home series.

An early autumn mixed hors d’oeuvres of silver and European ceramics went under the hammer at Sotheby’s Olympia (20/12% buyer’s premium) on October 2. Roughly two-thirds of the 375 lots were devoted to silver and vertu, and the remaining third to ceramics, but it was the latter that provided half of the ten highest prices, including what proved to be very much the top lot of the day.

First introduced c.1809, the ‘Caramanian’ series represent one of Spode’s most popular early 19th century pattern ranges.

AMONG the London salerooms offering a good selection of antique glasswares in the last fortnight, Christie’s South Kensington had a mixed-owner 280-lot selection of British and Continental glass to offer as part of their monthly ‘At Home’ series.