Asian Art

INEVITABLY fairs dominate June in London but there is also much activity in the galleries and showrooms with dealers taking advantage of the influx of serious collectors and trade into the capital.

MAYFAIR dealers in things tribal, unusual and exotic, the Gordon Reece Gallery, are currently holding one of their periodic selling exhibitions of antique Chinese furniture at 16 Clifford Street, W1.

THE Orient provided the most eye-catching highlights at Rupert Toovey's (15% buyer's premium) March 17-19 sale, in the form of a set of four Japanese Satsuma plates signed by Kinkozan and an 18th century Chinese bamboo carving.

Islamic works of art have not just been wowing collectors in the auction rooms, the museum- and exhibition-going public have also plainly found it a big and topical attraction.

A SET of four late-18th century Japanese gold lacquered panels caused a flurry of international interest when they came up for sale at Rossini (19.94% buyer’s premium) back on April 2.

THERE were few exceptional entries at McTear's (15% buyer's premium) March 19 sale but take-up was steady with 88 per cent of the 473 lots getting away.

THE Bonhams empire has embraced the notion of niche markets in pragmatic fashion, each of the various outposts having its own speciality – while the Scottish branch, which sells across the range of the market, breaks its sales into single specialist offerings. On March 18 Bonhams Edinburgh (17.5/10% buyer’s premium) offered 375 pieces of jewellery and silver with the following day’s sale comprising 198 items of Asian art, ceramics and glass.

VOLUME sales have their value but the conscious decision of Cambridge auctioneers Cheffins (15% buyer's premium) to go for quality rather than quantity – relegating lower-end consignments to fortnightly general outings and keeping the best for five well-promoted annual sales – has proved a winning format.

THERE may be a long-established tradition of collecting Chinese ceramics and works of art in the West, but the highly specialist knowledge of the language and culture required to appreciate Chinese painting from anything more than a decorative point of view means most serious collectors and dealers are based in the Far East.

ONE of the most acclaimed exhibitions of the late March Asian Art Week in New York was London dealers’ Rossi & Rossi’s show Styles from the Steppes: Silk Costumes and Textiles from the Liao and Yuan Periods.

TWO albums of 19th century Chinese photographs assembled by a British diplomat sold for £5200 in a general antiques sale held by Sworders at Stansted Mountfitchet, on March 30.

FOR many collectors, the finest quality 18th century Qing dynasty mark and period porcelain is the holy grail of Chinese ceramics, but connoisseurs have long revered the understated aesthetic and classic simplicity of the Song dynasty’s (960-1279AD) monochrome glazed ceramics.

LONDON'S twice-yearly series of Islamic sales can usually be relied upon to produce some dramatic results as the deep-pocketed collectors that dominate this market battle to secure their chosen prizes. The latest Islamic series, featuring sales at Christie’s, Sotheby’s and Bonhams, was no exception, with some huge prices generated at all three houses for tiles, Isnik pottery, daggers and jewelled objects.

FOUR house clearances of properties each valued at over £1m meant some long and frantic hours of valuing and cataloguing for Wellers (15% buyer's premium)auctioneer Tim Duggan – three heavy weeks rewarded when the March 13 sale day was one of the best ever at the Surrey rooms with 95 per cent of the 1200 lots getting away notching up a total of well over £100,000.

ST JAMES'S specialists in Asian art Jonathan Tucker and Antonia Tozer are among the many exhibitors who enjoyed success at the recent International Asian Art Fair in New York where they sold some fine early monumental pieces of sculpture.

TOWARDS the end of March it was reported that The British Museum and the V&A had joined forces for the first time to acquire a rare Indian 7th century metal statue of a standing figure of the Buddha Sakyamuni, the first to enter a public European collection. After a tour of provincial museums it will be shown alternatively at the two institutions.

THE international Asian art community descended upon New York in March to secure the most enticing exhibits in Manhattan’s two major Asian art fairs and numerous dealers’ shows. They were also there to contest the best quality Chinese, Japanese, Indian and Southeast Asian fare in Sotheby’s and Christie’s five specialist auctions that took place between March 23 and 25.

With the Chinese economy expanding at an unprecedented rate, and Chinese tourists becoming increasingly numerous in Europe, China Trade paintings are an area of the art market that might prove a cannier investment than most.

Shown right are two highlights from the sale conducted by John Bellman (15% buyer’s premium) of Newpound, Wisborough Green, on February 18.

THE large number of increasingly wealthy mainland Chinese dealers and collectors participating in UK auctions are pushing up the prices in certain sectors of the market, including 19th century Chinese-taste ceramics. In the past this area has largely been overlooked in favour of imperial porcelain from earlier periods, but with the best 18th century mark and period routinely commanding six-figure sums, 19th century ceramics must look good value for money.