Asian Art

A QUALITY furniture grouping and a small, but strong, Oriental section contributed to the upbeat performance of Halls (15% buyer's premium) 258-lot sale on July 14, the top lot of which, a £24,000 George III mahogany longcase, was illustrated on the front cover of Antiques Trade Gazette No. 1650 dated July 31 and August 7.

DEALERS are, traditionally, very secretive about their restorers, whose services are probably the most vital of any to the trade, and seldom do top restorers cross over and become dealers.

IT is frequently the unusual and the decorative that the market craves today. The ‘peach’ of the sale conducted by Kidson-Trigg (15% buyer’s premium) of Highworth, near Swindon on July 22 was certainly both, a group of 14 painted and carved wood and gesso models of fruit, pictured right.

AN impressive sight at 24in (61cm) high on its hardwood base, this Japanese Meiji period bronze cockerel provided the clear highlight of the quarterly antiques and fine art sale conducted by ELR (15% buyer’s premium) at the Sheffield Saleroom on June 11.

THE considerable coverage given to Asia Week in London, on these pages and in the national press, rather neglected one gallery which was bringing the art of the Orient to London long before the Asia week promotion was thought of.

WITH London hosting Asia week, Olympia and Grosvenor House in June, there was always going to be a trade battle for a Chinese vase which proved the sleeper of Charterhouse's (15% buyer's premium) 870-lot May 21 auction.

THE remarkable sums paid in London for high quality Islamic works of art arrived in the provinces in June.

AUCTIONS are often the best way of settling whether a work is genuine or not. Of the speculative entries in Christie’s South Kensington’s 584-lot sale on June 11, most were contested by Hong Kong and mainland Chinese dealers. Before the sale, trade and auction specialist opinion was divided as to whether this 10 1/2in (27cm) high blue and white vase (shown right) was a Yongzheng (1723-35) mark and period vessel or a 19th/20th century copy as catalogued.

IF the Toguri collection’s £600,000 black and white baluster vase was a masterpiece of Cizhou art, the size, detail and ingenious use of the stone’s natural inclusions make this monumental black and grey water buffalo, offered in Sotheby’s Bond Street’s 127-lot mixed owner outing on June 9, a master class in jade carving.

THIS wucai dragon jardinière, third right, entered together with three routine pieces of 17th and 18th century Chinese blue and white (pictured with it), with pre-sale hopes of £900-1300, proved a sleeper and was the focus of an intense bidding battle between Hong Kong, Taiwanese and mainland Chinese dealers at Sotheby’s Olympia’s 387-lot outing on June 10.

PROFESSOR Edward T. Hall (1924-2001) was a born collector, amassing over a million cigarette cards as a schoolboy at Eton College and later building a celebrated collection of clocks and scientific instruments that was sold at Christie’s King Street last July.

IN the last three years Bonhams have bagged several large quality Chinese consignments such as the Cunliffe collection of blue and white and the De Boulay collection sold last November, but this June there were no such dispersals to spark bidding battles between dealers or collectors in their 465-lot auction on June 8. Although few entries flew, there was demand for the best-quality Chinese-taste works and entries with mainland Chinese appeal.

GOOD-quality mahogany and oak furniture took most of the better prices in Mitchells' (15% buyer's premium) 1566-lot May 13-14 auction which totalled £325,000.

Pictured right is the highlight of what turned out to be London’s Asia Week’s most successful auction.

AN 18-strong offering of Chinese jades at Woolley & Wallis' (17.5% buyer's premium) May 25-26 sale, including this pale green, reticulated vase and cover, right, had emerged from an old South-of-England collection consigned via a fine art agent in Chichester.

Comprising 60 oban panels that form 20 triptychs, a concertina form, Senso-e album of c.1895 that sold for £3200 as part of a May 27 sale of original drawings and watercolours, prints and maps held by Bloomsbury Auctions is a record of events of the Sino-Japanese war of 1894-95 in which Japan’s modernised armed forces gained a swift and comparatively easy victory over the much larger Chinese forces.

Aurel Stein on the Silk Road, by Susan Whitfield, published by the British Museum Press. ISBN 0714124168 £18.99hb SIR Marc Aurel Stein, the 19th century Hungarian-born explorer, adventurer and archaeologist, sent home more than 40,000 cultural treasures from the wilds of Western China, making eight major expeditions along the Silk Road nearly a century ago and following in the footsteps of Alexander the Great and the 7th century Buddhist pilgrim monk Xuanzang.

SCATTERED amongst the colourfully decorated but fairly routine European-taste 18th century famille verte and famille rose bowls, plates and tea services that comprised the bulk of Christie’s King Street’s (19.5/12% buyer’s premium) 214-lot European collection of Chinese Export ceramics on May 11 was a handful of more unusual entries for which buyers paid a premium.

THERE is nothing like a modestly estimated, old English collection of Chinese art to lure London’s specialist trade to the provinces.

SOTHEBY’S Bond Street (20/12% buyer’s premium) took their first tentative step into the world of 20th century Asian art on May 6 with a 173-lot mixed-owner dispersal of Chinese, Japanese and Korean paintings, prints, posters, sculpture and ceramics on May 6.