Christie’s first ‘relay-style’ auction, an event with four auctioneers in different countries each conducting a section of the sale, raised a total of $420.9m (£334.9m) including premium.

A second tranche of works from the estate of Tony Venison, the long-serving gardens editor of Country Life, lifted the latest Modern British and 20th century art auction at Sworders (25% buyer’s premium).

Cedric Morris (1889-1982) is now a major name in the Mod Brit market whose most bountiful flower paintings can sell for over £100,000. While Sworders has a strong track-record with the artist-plantsman, works depicting two rather different subjects were offered at the latest sale in this category.

Edward Bawden (1903-89) is an artist whose work appears frequently at Sworders.

Pitching a work at the right level is crucial to demand and price when it comes to selling unattributed or loosely ascribed Old Masters at auction.

A group of seven works from a private collection by René Charles Pierre Princeteau (1843-1919) appeared at the Roseberys sale on June 4, all of them selling for a combined £72,100. Interest was reported from France, Belgium and the US.

Two pictures from local deceased estates drew solid competition at a recent sale at East Yorkshire auction house Hawleys (20% buyers premium) thanks to being offered with ‘there-to-be-sold’ estimates.

Providing a major boost to Bonhams’ first sale in London with room bidding since the lockdown, a portrait of the writer EM Forster by Roger Fry (1866-1934) set an auction record both for the artist and any Bloomsbury Group picture.

Sotheby’s held the first of this summer’s ‘super sales’ last week as it combined a series of three Modern and Contemporary art auctions into a marathon four-and-a-half hour live-streamed event.

Consignments from vendors with a close connection to famous artists are always a welcome boon for any auction.

The German-born watercolourist and musician John Baptist Malchair (c.1730-1812) was a key figure in 18th century Oxford.

As might be expected, local scenes were an important feature of David Lay’s Cornish art sale on June 11. Among them was a view of Penzance’s Market Jew Street by Norman Garstin (1847-1926) that depicted a location only a 10-minute walk from the saleroom.

This 8 x 10in (21 x 25cm) oil on canvas board sketch of two farmhands cutting grasses with a scythe is unsigned but it carries a label on the back from an Ipswich Borough Council exhibition which identifies the artist as Harry Becker (1865-1928) and the picture’s title as Fieldworkers in Mid-Summer.

‘Freshness and sensible estimates’ contribute to record 5016 registrants for Macclesfield sale.

A trio of oils by Venetian artist Antonio Ermolao Paoletti (1834-1912) were consigned to Dawsons (23% buyer’s premium) of Maidenhead from a private London collection.