When it comes to 20th century sporting pictures, there is no bigger name than Sir Alfred Munnings (1878-1959). Earlier this month, a sale at Woolley & Wallis in Salisbury sale saw the consignment of certainly one of the more notable works by the Mendham, Suffolk-born artist to have appeared in the regions over recent times.
A huntsman and hounds was a 20½ x 22½in (53 x
57cm) oil on canvas which came from the deceased estate of a
collector from Sussex. Consigned by the executors, it was estimated
at £50,000-70,000 - an attractive pitch which ensured strong
interest and helped it easily exceed these levels.
In fact, the Munnings was one of 48 lots from the same source,
all of which got away bar one.
After a strong bidding competition emerged on the day, the
picture sold at £200,000 to a London buyer - a sum which ranks as
one of the highest ever seen for the artist at an auction outside
London and New York.
Commercially, the ground for Munnings over the last century has
gone from good to soft and back again. The artist was a fashionable
figure in his heyday as his works were highly sought after but,
after his death, interest began to slip and prices spent a couple
of decades in the doldrums, in part due to his uncompromising
stance of favouring traditional styles over modern art.
Over the last 25 years, however, the prices of his best works,
including some of the more favoured racing scenes, have certainly
picked up and in some instances have expanded well in advance of
Such was the case with the picture here, which had previously
sold at Sotheby's in May 1990 for £40,000. The significant increase
was partly due to the better general demand but also because this
was a work with exceptional appeal.
Signed and dated 1906, A huntsman and hounds was,
in fact, one of only a handful of known works depicting the horse
and rider 'head-on'. Munnings may well have experimented with this
more difficult compositional approach in response to seeing Lucy
Kemp Welch's masterpiece Colt Hunting in the New Forest,
which was painted nine years earlier and is now in the Tate.
The most famous of the small group of pictures by Munnings in
this format are Hunting Morning (now in the Sir
Alfred Munnings Art Museum in Dedham) and Going to the
Meet (now in the Laing Art Gallery in Newcastle upon
Tyne). However, both of these works date from c.1913 whereas the
picture in Salisbury was an earlier study - was he practising his
technique before attempting the fully-fledged exhibition paintings
seven years later?
Another later picture in similar vein, December Morning,
Cornwall, took a premium-inclusive £109,875 at Christie's in
July 2013 but, although all these works were more finished
paintings with brighter backgrounds and other riders present, this
picture was more freely painted and this created a greater sense of
The way the artist had used foreshortening with regard to the
position of the animals (who are shown travelling at a slight
downhill angle diagonally across the composition) was deemed
particularly well conceived.
The picture at Woolley & Wallis therefore had an appeal
beyond the core of buyers who focus solely on Munnings' hunting
scenes. The fact that it was in attractively untouched condition
also did nothing to dampen the interest.
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