A BATTERED old Bible in a strongbox with a woodcut pasted on the inside of the lid was sold with a boxed rosary for £6200 by auctioneer Paul Beighton of Thurcroft, near Rotherham on March 9. Behind it there was quite a story.
It was catalogued as "A 16th century bronze mounted bible box
and rosary case both with contents, the bible leather mounted
imprinted at London by Christopher Barker...1587" and given an
estimate of £2000-3000.
Some may have wondered if the Bible had any value. As a late
printing of the Geneva Bible it was probably only worth a couple of
hundred pounds as a source for missing leaves in other, less
derelict copies. But the London dealer who bought it recognised the
box as a medieval rarity sometimes called a coffret messager.
The new owner had been alerted by his recollection of a sale
held last November in Paris by Pierre Bergé. This was the dispersal
of one of the more arcane and unusual parts of the collections
formed by Marie-Thérèse and André Jammes, a sale that contained
over 20 of these curious boxes.
Several theories exist as to the function of these strongboxes
with religious woodcuts pasted inside the lid, but one is that they
were medieval messenger boxes with secret compartments for
concealing important documents and that the lid, when opened up,
turned the box into a sort of miniature personal shrine or
A 1931 census of these late medieval boxes produced by W.L.
Schreiber located 36 different woodcuts (plus 13 duplicates) around
the world and Arsène Bonafous-Murat estimated that about 60 in all
The Jammes collection itself contained no fewer than 22 boxes
with different woodcuts, eight more than the Bibliothèque Nationale
- though they did of course add to that number with the two
pre-emptive purchases mentioned above.
The only British location cited by Schreiber was an example in
the Ashmolean, but we now have the Rotherham coffret to add to that
list. The stencil woodcut pasted into the lid has been identified
as God the Father enthroned, after the Master of the Très Petites
Heures of Anne de Bretagne.
There was a coffret in the Jammes sale bearing this same God the
Father enthroned woodcut after the same Master. It was one of those
left unsold, on an estimate of Euro40,00-50,000, but the Rotherham
copy, though it shows some browning and a few wormholes, is in
better condition than the three other recorded survivors and has
particularly strong colouring.
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