AFTER June in London, the first major fair on the calendar is the long-established summer version of Antiques For Everyone at the National Exhibition Centre, Birmingham. It will be held this year in Halls 17-19 from July 29 to August 1.
It will follow its customary formula of a relaxed, market-like
Section Two and a smarter Section One, and, once again, the fair is
large. But at around 550 exhibitors the total is down on the April
and November NEC fairs. Blame it on the summer lull.
Fran Foster, who initiated the Antiques For Everyone format and
still organises the three fairs a year, feels the secret of their
continuing popularity with exhibitors and visitors (she is
expecting around 25,000 this summer) is the vetting.
She insists every item of stock is checked for quality and
authenticity by an army of vetters now topping 200, with the chair
of every committee being a non-exhibitor.
I still feel it is an impossible task to examine every single item
at this large fair (and then police the stands to ensure items
removed do not creep back) but the effort is definitely made and
does instil confidence.
Mrs Foster says: "This attention to quality continues to set our
fairs apart from so many others."
Considering the size of the fair, there is a relatively low
turnover of exhibitors, but five make their Section One debut and
six arrive in Section Two.
Among those joining Section One are Nicholson Jewellery from
Oxfordshire; Roy Precious from North Yorkshire with paintings and
Ed Pascoe from Miami. The latter is a Royal Doulton and studio
pottery specialist who will be among the speakers at the daily
seminars, which centre on later ceramics and also feature Richard
Dennis, the guru of studio pottery dealing.
Those appearing for the first time in Section Two include Geoffrey
Breeze, the well-known dealer in antique walking sticks who after
years in Bath is now based in Tetbury; Alston & Ashton from
Somerset with period furniture and The Waterloo Trading Co. from
London, also with furniture.
In tandem with the seminars, studio and art pottery is the subject
of the loan exhibition, largely drawn from Somerset-based Richard
Admission is £10.
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